Saturday, April 6, 2019

A River Ride



[Backstory: Owen got his buddies to help push his wrecked-out '55 Chevy Nomad-8 wagon out from the tangle brush of the Car Graveyard and down an old logging road to the roaring Fish Hawk River. Just as the Nomad hit the water, Owen jumped up on it's roof. Vick tossed him a scrap of a two-by-four and Owen commenced to paddling. ...]



Down river Owen  was riding high. A couple turns ago he'd rested the paddle board beside him on the car roof. No need to guide the Nomad. She and the current were double-teaming real good. Flow-going and go-flowing. 
The current was a wide stream. Within it ran rows and rows of wet tire tracks, the sunlight giving them tread-like texture. Owen  thought some pack of Jesuses had motor biked down-river just ahead of him, laying down watery tread. Wild and raucous they were, hootin' and a-hollorin'! Pulling wheelies on the water! Skimming the surface. One hand raised high like some kind of eight-second bronco-busters, only the steeds were supercharged ethereal choppers.

RUN-RUNNN! URRRGH! URRRGH! URRRGH! GRRUN-RUNNN! GRRUN-RUNNN! 

He can hear it! He sees it, too, superimposed ahead on the river scene, suspended in the air dust of the gray light of the dirty window. His dad's garage, revving his dad's Harley, letting the low rumble of the engine fill his ears. It's a real one-kicker. First a clack and a clammer, then that pit bull growl. Cut it loose! Cut everything loose! Rip it up! Go ballistic! And look out, sissies!  
He sees himself doing it before he does it. Sees dust of insects above the water. Sees the contrasting shadows on his dad's workbench, the unpainted rough wooden walls, the tall trees lining the river closing in. Smells the old saw dust and the frustrated odor of sweat, smells the faint sourness of the vacated beer bottles on top of the car, the musty closeness of the garage. Feels the river air and the claustrophobic heat surrounding the bike! 

Break through it! 
Crash against the work bench, sending wrenches and hammers with wooden handles flying! Yeah, man! Yeooow! Chasing those Jesuses! Running them down! God-damn! We're bound to jam! 

Crash against walls, dislodging disgruntled dignified tools from their lofty positions, causing them to clatter and bounce and reluctantly participate in unscheduled mayhem! Fuck all the motherfuckers!  

Steer-caning the bike around the corners of the garage now! Canyon-carving around and around in the middle of the garage! Making the whole garage the middle! Counter-steering to maintain speed and control, turning the handlebars away from the direction he wants to turn. Pushing the right handgrip forward to lean and turn right, pushing the left handgrip forward for a direction change, counter-clockwise to the left. GRRRERRRGH! HGRRUGGGHH! RUN-RUNNN! URRRGH! 
It's a blur now! All the walls are one confused plane. On the edge of his eyesight interrupting the circulating madness, after one of his swings around the ever-confining space, blurred by the speed and the water in his eyes, following the watery tread tracks on the river, face contorted now by the g-force - on the edge of his quivering view - did he see it in the whirling gray light of the greasy window? Here it comes around again: Pop! Look! An opening! A clear stretch down-river following the Would-Be-Jesuses! An opening! Out of the garage! Into the yard! Between boulders! Within the watery tread. He flogs it for all he's worth (worthiness not a consideration, let alone a word!). Out the back door, down the river further, hot-dogging it toward the fence, catching up with God! 
He grabbed a handful of break just before hitting the back fence. Tore turf, yanked it from the packed black dirt, spinning and huffing. Smoked the exhaust. Strong-armed the steering away from the fucking fence!
Slid the bike low and sideways, wheels first, laying it down, rolling out of its way.

God could be around the next bend. But the treadpaths on the river looked like they'd go on forever in the sun.

Sunday, September 2, 2018

Meditation Rock (and Roll), Summer 1969

Prince Kamawannanacka Rock


[Our story thus far, or as far as anyone can see: Six of the Fish Hawk Country drop outs accepted Mel's invitation to convene on Prince Kamawannanacka Rock in the middle of the Fish Hawk River for group meditation. It was Garson's idea. He was hoping the "girls" (sorry, this was the 60s) would take off their clothes while meditating in the sun. Garson wasn't much into meditation. Eventually, succumbing to the subtle poetic powers of the Fish Hawk River, our drop outs removed their clothes, to wit (and by witness), …]


Was it the sun's bright stillness that calmed our dropouts so?
Was it the languid in and out and in and out of breathing?
Were they Garson's playful suggestions heeding?
Was it the River-inspired Rock's desire to go
back before the Big Flood's violent flow
to a time when gentle areas were white on white
(or, more akin to his and her's-story, black on black)
and nudity was right both day and night
Was it the spaciousness surrounding their internal atoms
that motivated them to be like Eve and Adam
?

And so it was that our dropped out outlings
shed their garments and to the air them did fling
In solemn quietude not a word was said
It was all beyond mind and out of head.


The breeze was too soft to feel like a breeze. It was air hoping to breeze. It graced Mel's skin with a hint of air, like the air soft on your skin when a dog next to you wags his tail.

After many moments of thinking thoughts and letting them go with the out breath, letting them go to wherever thoughts go - Mel, eyes shut, imagined them floating, somersault-tumbling into the spaced blackness, he began to see the large purple dot of a glob pulsating in time to his heart beat. It rolled into his interior vision from right to left expanding, contracting, slowly morphing purple to blue to white to purple again.

Vato had laughed when Mel told him about his purple glob that appeared when he entered deep meditation. [Editor's Notary: Hi, I'm the Editor's Notary, noting that "Vato" is Mel's long-distance guru who transmits daily mantras telepathically and transpersonally to Mel from 2,000 miles away in Central Tejas. When it comes to meditation, Vato doesn't fool around.]

Oh! Your third eye is playing games with you! (Vato exclaimed, grinning broadly - this conversation having occurred when Mel lived with Vato for a spell during the previous summer.)  Don't pay it any attention. Don't let it take you from your breath. Don't let it mess with the practice of letting go your thoughts. That's your real job. Your purple light show is just your ego seeking entertainment.

But Mel gave the purple some credit. He couldn't make it appear. It happened when it wanted to. He had no control over it. It shaped and unshaped itself at its own will. And it vanished when he withdrew his attention, like if he opened his eyes or let himself think of Big Back Mary.

So he relaxed and let it come and do its thing. But after many moments, as so often happens, cohabitating with the purple didn't cut it. It wasn't his thing, as Symcopatin' Snaz would say. [Editor's Notary here again. Sorry to keep busting up the flow of the narrative, but you might want to know that Symcopatin' Snaz is Mel's altered ego, a would-be comic character who lives in Mel's mind. ... Now, back to our story!]

So he opened his eyes and of course, after a few breaths, upon closing them again, the purple was gone, replaced by blackness or a representation of the predominate light color in the outer world.

So now … breathing in … holding the breath for a moment … breathing out …

On his out-breath, his breath fully expelled, he was in a space where he neither breathed in or out. In that space before the next in-breath, that soft safe empty space …

Although the purple had disappeared, he sensed something different this time with its vanishing.

He didn't know why. Was it the atmospherics shifting ever so slightly in the late summer air, sensing the coming infusion of the fall? Did the Great Mathematician accidentally erase a digit on the celestial chalkboard causing a temporary imbalance in the eternal equation? Did the light above the River drift to a different prism where the "normal" rays of sun and water reflection changed?

Whatever the glitch in the cosmos (if it was indeed a "glitch"), Mel saw it as he opened his eyes. And he saw it in the soft space between in and out breath. Thinking about it later, he was glad he hadn't blinked or breathed and thereby lost sight of it or missed it altogether.

It was like a purple vapor shadow. As it drifted closer, it looked like a misty strip of film, so feather-fragile that he marveled at its innate strength to lift from the River's surface and float casually but irrevocably toward them.

Mel squinted and almost lost sight of it in the sunlight. It seemed amused at his concern about that. It floated and curved, as though it were smiling at him. It was about a foot long, a few inches wide. Onion skin paper thin. And purple.

It brushed Sheila's forehead and lightly touched her nipples. It buckled, humped slightly, and flickered against Sally's cheek. Gradually one by one, methodically but playfully, it touched the skin of each of the dropouts - all with their eyes shut, save Mel (and he saved it all with interest).

When it got to Mel, it hovered in front of his opened eyes. It curled knowingly at either end. He breathed in. The River shimmered through the translucent layer of the purple film. Through it Mel saw the colors of the forest across the River and up on the hills. Greens, yellows, blues - they sparkled more vividly than ever.

Breathing out, Mel watched as the strip of vapor glided off, away.

Again, Mel was in the soft space between breaths. His mind was truly empty of all thoughts. His ego was asleep. He saw the River through the purple ribbon.

The ribbon slid toward the River and back again to circle once more before it let the current's air take it downstream. And so it vanished.

Sheila opened her eyes and they glistened with tears. Sally breathed a deep sigh and broadened her smile, choosing to remain shut-eyed. A sweet peace adorned her face.

Harris looked at Sheila with wonder. He had never before seen such beauty.

Garson, grinning broadly, sat crossed-legged, face turned sunward, his arms raised,  palms open.

Big Back Mary stared at Mel.

Gawd, what he'd be like in the sack! she thought.

Vick grinned broadly at the sight of everyone's nakedness. He alone had words:

This was the way it was meant to be, he said softly like he had just enough breath for those words and no more.

Garson sensed a realization, as if from an calm inner voice that was not his. A voice  not familiar to any thought pattern, but a calm, matter of fact voice. A voice that had him sense that the Fish Hawk had protected him that night* and that whoever had blabbed to the cops had done him a great favor. He would never have realized how protected he was had they not flapped their jaws. He could not know how long he would have this realization, but he was glad he had in that moment.

Mel, experiencing serenity outside and beyond any form or structure, treated himself to a deep cleansing breath. He looked up across to the River, felt the power of its rushing waters - impermanence in motion. But the memory of the purple ribbon lingered, it's elegant silence touching the moments beyond thought.



A rare glimpse of the Fish Hawk River flowing between Prince Kamawannanacka Rock (left) and its ancient consort, Princess Kalaililikikana Rock. 



* This refers to a scene in the first chapter when Garson is hauling contraband up the mountain at night in his '56 Chevy pick up when he sees and hears that the cops are tailing him. Rounding the first turn of a sharp switchback in the road, he tosses the "goods" into the River and turning into the top of the switchback discovers the cops have vanished. For the rest of that chapter and throughout the the Fish Hawk Saga he wonders 1) who tipped the cops off to the fact he was had "the goods" and 2) how was it that they vanished so mysteriously?!  ... More will be revealed, Dear Reader.



Wednesday, January 31, 2018

A Walk in the Woods

Click the graphic to hear Charlie Musslewhite blowin', "Chicago Sunset."


[Back story: Warren is going to the Car Grave Yard deep in the woods in Fish Hawk country. With the help of some friends he is going to push his old broken down 55 Chevy Nomad Wagon, purple with yellow doors, down to the Fish Hawk River and ride on its roof to old Omer Anderson's to offer it up as parts for services already rendered.

Upon leaving his house, Warren discovered a strange yellow capsule with gray-green flecks in it on the table. He figured his girl friend Sally left it there the night before. On his way out the door he swallows the capsule, which contains dried ginkgin powder, a powerful substance once revered by the ancient Osqua Indians who inhabited Fish Hawk country long before the whites muscled their way into those mountain woods. … We return to our story in progress as Warren heads to the Car Grave Yard … ]


If you didn't know this steep stretch of road, you might slide right by the Car Grave Yard. But Warren knew to dig his work boot heels into the forest dirt and catch the almost hidden path to his right. A long narrow darkened path cut ahead of him through the timber.

The darkness threw back a sound. Some kind of weird woods music. A high pitched sad twang with the reverberation of a Jews harp, but higher pitched. It came at him as if out of a tunnel.

He saw creamy orange tubes gently zig-zagging at him! Some were open-mouthed, some pinched and puckered. They swerved in curvy patterns and undulated, arching and weaving back and forth, moving with the rhythm of the music.

MaChigghhh-AWWW-WAWH-RAWWWH.

Some tubes shot forward and stopped a beat as if they forgot something and they eased back from where they came (reversing the same up-down, sideways movements), only to sashay forward again, but this time slower in a confident syncopated vamp. Some curled around one another, twisting and turning, vibrating with an edgy nasal tone.

Naw-awwh! Brrr-hmmm-brummmp! Aw! Naw-naw-naw-heee-bump!

They aimed right at Warren's face! And the sound from out of the woods reverberated through the twisty tubes. Half-suppressed squeak, half-whiney rasp.

MaChigghhh-AWWW-WAWH-RAWWWH. Chigghhh-AWWW- WAWH -RAWWWH! RAWWWH-NAWWWH! RAWWWH-NAWWWH! RAWWWH-NAWWWH! WAH-WAH!

They were up in front of his eyes now! A line of them weaving and bobbing! Warren saw gray green specks inside the tubes, darting and hitting the sides and bouncing off, knocking into each other and shooting in another direction. What chaos within the seducing rhythm of the gyrating cylinders!

He stopped. He blinked and the tubes that were up against his eyes, almost touching his lashes but not quite, vanished. But more in line sauntered forward. 

The sound was coming from Harris’ blues harp. He was blowing and sucking in on two reeds at once, causing a hoarse wheezing sound. The pitch rose and fell, the stops creating a railroad beat.

Warren was fixated on the gray green specks bombarding each other inside the tubes. They played havoc games within the "take-it-easy" drifting tubes.

Mmmm-hip-hip-hip! Mmmm-brrrr!

He swatted at the tubes. That cleared way for him, but more were coming! The sound wasn't quitting. He batted them with his palms! And the sound cylinders quivered and kept coming!

He fisted them as he shadow-danced into the Grave Yard.

Warren saw Harris first, or more accurately he saw the music from Harris' harmonica. A cluster of those cartoon tubes huddled around Harris' head, circling his shoulders. They swarmed up into the trees.

Harris blew his harp! He was getting whiny elongated notes to push those tubes out and up!

When he saw Warren, he stopped blowing and sang out:

Every morning
N
Every night

Warren jumped at Harris, leaping and knocking down a bunch of orange tubes as he flew in the air, simultaneously throwing out  his own lyrics -

         I tell myself
         Ya gotta do right

Ha-ha! Harris! Warren cried out. You harp-blowing fool!

His eyes followed the trace of orange cylinders floating up into the cool tree air.  They fell on Mel sitting crossed-legged on top of an ancient pick up.

Waddaya doing up there, Buddha-boy?!

Good morning, Warren, Mel said softly.

Mel - his straight long brown hair around his shoulders, sitting on top of the rusted roof of the pickup, the rust circling out from the center of the roof in various colors of brown and black - Mel took in the scape of the Car Grave Yard.

It was a darkened tree-crowded clearing just off the Old Logging Road. Hemlock and Douglas Fir squeezed out the sky. Sword ferns, three leaf clover, and huckleberry bushes crowded the ground.

The cars and trucks had come to rest in peace in this place - in peace or in pieces. They were slowly decomposing in the dampness and from winter freezes. They were a mangled mix of long-forgotten "vehiculers," as Warren called them - cracked and crashed and crumbled, in various stages of rot.

The Car Grave Yard was a mess of massive clutter. Your eye did not want to distinguish the shapes and the parts at first. There was too much jungle-jumble to inventory. But Mel's awareness as the result of long periods of sitting meditation and openness to the transpersonal had heightened his perception.

He saw each rusted out smashed-in chassis, the dry crusted moss covered radiators, dusty worn tires, hunks of motors, bent torn-up grills and bumpers, mufflers and exhaust pipes protruding out at all angles and stages of rust looking like an abstract painting drawn by someone with a muscle disorder. And hubcaps! Hubcaps strewn everywhere. Forgotten metal Frisbees piled up and tilted in disarray, thrown there by some unseen vagabond who had disappeared long ago into time's cloudy prism.

Most of the vehiculars gawked with dark gaping holes where windshields and windows had once protected them from the outside. The windows had long ago shattered, their pieces swallowed by the forest floor. The insides, seats and floors, were coated with tiny glass shards mixed with pine needles.

Mel sat cross-legged on the roof of the pickup, smiling benignly. His hair was shiny and long.  He was bare-chested, and like the strands of chin hair that pretended to be a goatee and his wispy mustache, the hair on his chest was dark and sparse. He felt the cool damp air against his skin.

Warren watched the last of the gyrating tubes vanish in the air above Harris' head. Gone in the silence when he quit playing his harmonica.

The morning sun light forced an intrusion on the clearing, streaking light through the trees. The light fell on Mel's shoulders. But Warren did not see it. He was thinking about Sally.


[Watch for future installments of Warren and the Nomad's adventures on the Fish Hawk River!]

Wednesday, December 13, 2017

The Music They Listened To in Fish Hawk Country




















Another Place

Away from the Jake brake's rumble-roar
back inside the old wood boards of a front door 
next to his green worn-out stuffed chair
loud as anyone would dare

Harris played his music
on a turn-table player

spindle-stackin' vinyl platters spun
took his head to 
another place
'round the corner from the sun

Harris closed his eyes
and thought of those
who'd left and now were on the road

closed his eyes
glad that everything had slowed
content to hear what might be spun 
'round the corner from the sun

feet propped up on an old wooden chair
pipe smoldering smoke in the air
steel guitar bent notes in his ear
twanged and echo'd inside a tear

How far they'd get by now
and how far when day is done
Maybe Barstow or Tucson
or maybe 'round the corner of the sun


[Click the album covers for a taste of what Harris was listening to.]







































Saturday, November 25, 2017

"The wisdom is in the Silence."





Vato's Sayings

Mel: What does it all mean?

Vato: What does what-all mean?

Mel: All we've been talking about and that which we don't know. Or don't know for sure.

Vato: The answer is in your question. In your question and in the silence that follows when you ask it. Especially in the middle of the night when there is no sound but your breath and all is dark all around you. There is wisdom in that kind of silence.

Mel: There is nothing there. How can that be wisdom?

Vato: You have asked. That is something. The asking demonstrates that you do not know. It is not for you to know. Knowing and wisdom are not the same thing. You asking shows you are open. You are open to the silence - even though you may not be ready for it. Even though you may not be ready to take comfort in it. You being open is the answer. The wisdom is in the Silence. It reveals Itself as a counterpoint to your asking. Take comfort in the Silence. 

  -- from "Vato's Sayings" [a work in progress]

Tuesday, February 21, 2017

Warren and the Hippies

Bare Ass Beach in the time of the Osqua Indians



The floor of the living room was stones set in broad margins of mortar. They were almost flat to walk on. More than once Warren had stubbed his toe on the edge of a stone.



He lit a Lucky Strike from a pack on the coffee table. It took a long time for smoke to float to the pine vaulted ceiling. The smoke floated up listlessly. It drifted above him to a spot patched with plywood. That was where he shot a hole through the ceiling one night with a single shot 410.



You might want to ask him why he did that? Just how curious are you?



You'd probably get asked what his dad asked him out in the garage when he caught boy-Warren sneaking a pull off of his jug --



What's the matter with you, boy?! Your face ain't hurting bad enough?!



Then Warren would flash that grin that generates a neon gleam through his eyes and fix your face for you.



Truth was Warren couldn’t remember why he’d shot the ceiling anymore than he could remember exactly why he hit guys in bars.



It was like some Masher Minder snipped a synapse-receptor connection. Took wire cutters and snap! Cut it clean through! Freed it from binding bondage! Saved it from the responsibility of storing memory. Then shoved a hood over his memory cage.



Someone had to do it, he’d say if he was in a good mood and not up to busting your face. Someone had to shoot it. Grin. Hands in the air, palms up, shrugging.



I was gonna hit the ceiling anyway, he'd probably say. Was gonna go through the roof. Might as well do it sooner than later! I was on the down side of a four-day speed run anyway. Living on potato chips and beer. Besides everyone else, including you, was asleep.



You want to ask him why he needed to hit the ceiling? Maybe you think that grin is friendly. Maybe you're not feeling the slide guitar ping in his eyes. If that Masher Minder managed to reconnect his synapse with it's lonely receptor, slap some Duct Tape on that sucker and yank the hood off of his memory, Warren’d be able to tell you he was pissed at those dirty hippies invading Bare Ass Beach the day before. That would be day 3 of his speed run.





Those dirty little assholes! He could hear them from on up through the tall trees surrounding his cabin above the Fish Hawk River. He heard them all the way from down there on the River on old Bare Ass Beach. Heard the whooping and hollering.



The drumming was a steady pulse. The drums knocked in his head. A wobbly rhythmic knocking, their stretched covered membranes reverberating the membrane of his mind. It resonated, got into his head and under his skin, like some primeval beat that had been ground into his psyche as the sun came up during that first time of days when it was just discovering its warmth. Mankind's first headache. He didn't like it then and he sure as hell didn't like it now.



He saw himself jerking his body around his place to the beating of the drums, dancing to the deja vu beat that resounded from the dark woods with soul intensity and fervent continuum that mimicked hot breathing and set the time to the Universe's pulse. He didn't need or want anybody keeping the Universe's time for him!



That did it! He wasn't going to be a comic book character in his own house! Time to go on down there. And if he was lucky, maybe some naked hippie chick'd offer him a toke of rope.



So he tumbled out the door, grinning, quite confident with the electricity of the speed firing sparks in his blood cells and surging through his consciousness.





There are two ways to get to Bare Ass Beach. The civilized chicken-shit way is to cross the Fish Hawk by walking across High Bridge Bridge from Oldmill Road to Treeline Road. That's the way the hippies went (though to cut 'em some slack, it's the way most everyone goes). Once across the bridge they had to climb down a short steep path from Treeline Road, a stretch that's there just to make you think you're roughing it.



The High Bridge Bridge is a covered bridge that spans the Fish Hawk River just west of High Bridge town. The covered part looks like the roof of a big old white barn. It was designed by the Corps of Engineers in 1936 to replace the original bridge the Osqua Indians had watched getting hammered into being as they surrendered Fish Hawk Country to the Whites.



Years after the Osqua's stoic departure, the first bridge mysteriously burned down. Did some Osqua upstart with a cantankerous spirit sneak down from the caves and plateaus hidden in the mist of the mountains to torch it? Did one of the younger Leggitts or Bardells, now counted as ancestors by the current generation, strike a match during a drunk? What happened has long ago been swirled away by the Fish Hawk itself.



What is known, but not talked about, is that men working for the Works Projects Administration built the bridge. The Corps supervised.



So the Government, the Federal Government, is responsible for the bridge. This doesn't get talked about in High Bridge town. It doesn't get talked about down in Oldmill either. Folks around those parts don't think too much of the Government. They see the Government as butting into lives, telling them when and where they can hunt and fish, when and where they can cut timber, what they can and can't drink and smoke.



But the men who actually built High Bridge Bridge were real people. Real poor people. WPA grunts. They were Great Depression poor. Pain-in-the-belly-at-bedtime poor. Many had come in from Kansas and Texas and Oklahoma. Side-steppin' right out of Woody Guthrie's "Do-Re-Me." Working the bridge put beans in their belly and chaw down inside their lower lips.



Some of them still lived in and around High Bridge town and down in Oldmill in this time that we're talking about. They won't talk about working on the bridge, quarrying the heavy stone for the abutments, milling the timber and hoisting it into place, and they sure won't talk about any of the make-out humping and carrying on that took place under that roof since the bridge's been built. High Bridge karma. You don't want anyone talking about you, do you?



('Course you would might talk about all that balls-bumping if you were young and today was time immemorial and you hid up in the bridge's rafters at night with a buddy watching the action down below. What's the point of going to all the trouble climbing up there and waiting of a Friday night after the football game if you can't tell somebody about it? You just better be ready to bust heads later to keep yours from getting cracked!)



But the guys who built the bridge and their next of kin sure as hell won't talk about High Bridge Bridge being built by the Government when they are fishing off of it. That'd be a downer no one wants to get into. Why upset the fish?





The other way to Bare Ass Beach was the Warren-way. It's harder than the easy-ass bridge route. Warren skipped down the back deck steps from his house and shot down a narrow path that reminded him gravity was in charge. The path probably had been carved out by the early trappers or earlier than that by the Osqua. Warren bent his legs slightly at the knees and dug his work boot heels in to drag against gravity as he skipped from one side of the trail to the other to keep from losing control of the downward momentum. The path was so narrow and deep that the trail was mainly sides, with the middle being a deep scar down in the side of the hill. This stretch is about 200 yards until it levels out and makes a turn to the left and you come to a clump of hemlock and you can straighten up again as you approach the river plain.



In the cool darkness of the tall trees, invisible from the Treeline Road, was an old house trailer, 10 feet wide - 50 feet long, covered by a crusty blue tarp. The tarp, a shield against the world, hung down along the door side of the trailer. It was Old Man Leggit's place. He was probably inside.  The feeling of the hanging tarp said, Don't come in. Don't even knock.



Warren glanced up into the trees as he always did when he reached this point in the trail, remembering what it was like when he walked through here with Garson his first night in Fish Hawk Country. High overhead but still concealed by the trees and running through them so that it was resting in the crooks of branches was a line of PVC pipe covered by a roof of tin gutter material for extra protection. Old Man Leggit had rigged this pipeline up years ago to drain off parts of Rock Creek that were close to his trailer. He'd set a battery powered sump pump at the beginning of the line that kicked in when the water level got high enough there.



Give ol' Gink-Chaw-Chow back some of its uppity wetness, Old Man Leggit thought, grumbling grunts as he stumbled around outside the trailer to go grab a bucket of water from the River. It'd flood the whole area if it could. Fuckin' River. It don't give a shit about me, but I sure as hell do!



Old Man Leggit thought he was pretty smart and he was. Pump all that excess water back into the Fish Hawk. Pour the gift of his ornery grace back into the soul of the River.



He figured the goddammed Oskey, as he called the Osqua, used his Rock Creek, which looked like a drainage ditch separating two smooth flat slabs of basalt, as a kitchen sink to clean their bowls and stone chiseled knives.



Hell, he thought, Let ol' Gink-Chow-Chaw have some of its dishwater back! Maybe if I look the other way it'll bless me in my sleep! ("Gink-Chow-Chaw" was Old Man Leggit's blasphemous corruption of the terms the Osqua had for the unity-concept of two Fish Hawk Rivers, one physical, the other spiritual, yet cosmically united.)





As he neared the tarp-covered trailer, Warren slowed his pace. If Old Man Leggit was inside, and he probably was, it would be smart not to make any noise. Leggit kept his .22 next to his bed. Warren wondered what he thought of the drums from the beach but that would have to remain one of life's mysteries. Warren smiled inwardly.



As he walked by the trailer he spoke at the tarp, uttering the password, Coming through.



He heard some muffled sentences from inside the trailer and what sounded like it might have been a question, followed by some muffled laughter. It was garbled permission to pass, concession wrapped inside confusion, amiability passing for insanity.



And Warren walked on, winking at a long knarled length of dry rolled wood in various stages of decomposition. Bits of shavings were tucked in crevices and grotesque wooden swirls erupted from edges like the body parts of forest gargoyles. Looks like Old Man Leggit's elbows and kneecaps, Warren thought.





A saggy wooden foot bridge with lodge pole railings crossed Rock Creek to a short trail leading down to Bare Ass Beach. Warren stomped across it, glad to be clear of the stealth that surrounded Old Man's Leggit's. The bridge buckled some under the weight of his stride.



Bare Ass Beach was down the side of the hill by the Fish Hawk. You could almost see it from Warren's house. The tall trees and thick brush kept it mostly hidden. The River's current was roaring from the snow melt up the mountain.



The Beach, sunny and clear and dazzling in the sunlight, was a slanting shelf of hard craggy shale rock. Scattered shags of moss covered portions of it. Some pebbly sand edged the beach in the middle of the summer when the River receded. But this was spring and the only way anyone would feel sand was to walk into the water.






Warren saw the white tee-pees and bon fires before he saw the people. The tee-pees were slanted on a semi-grassy space that edged the backside of the beach's rock surface. Several small fires flamed between and around the tee-pees.



His nostrils rushed with the speed's leftover adrenaline surge. His stomach was a vacant core. It was a familiar feeling he got whenever he barged in on a party where he hadn't been invited. In his bones he didn't know how to be. He knew no one. So he let the rush propel him and looked to fill the emptiness with dope and booze. Worked every time.



The hippies wore buckskin vests and dirty corduroy bell bottoms and sandals. Some were barefooted. They all had the look of new griminess. If you got close enough, which Warren soon did to share a pipe with several of them, you could smell the sour odor of several days of sweat.



Some of the women were topless. Others wore gingham dresses tie-died in yellows, oranges, and blue. Some wore tie-died bras. All of the women were bare-footed. Some played with small children, stacking the bigger pebbles in piles or walking along the shallow water shoreline. A few toddlers and children ran around the fires until one of the men calmly, but firmly told them to cool it. Some older kids were skipping rocks in the River.



Warren guessed twenty hippies. He sauntered over to the largest campfire, his ego expanding and his expectations in check. He said his name to the guy who’d told the kids not to run around the fire. They shook hands. Warren felt weird being polite, but he knew he was an intruder and he'd get nowhere if they thought he was a narc.



The drum circle was behind the fire next to the tee-pees.  There were congas, bongos, and a pair of tabla drums. The tablas sent a hollow bell-like sound up into the air, causing Warren to grin broadly as he accepted a toke from a very pretty hippie woman, obviously more willing to accept him there than they guys were. She was topless, her breasts were small. They were very white in contrast to her tan body, like she'd rubbed them with chalk. Her nipples pointed at the cool morning air.



Warren made a point of passing the joint to the guy he'd shook hands with - Stew. As the number made the rounds, others softly wandered over to get a better look at him. They were all casual, non-effacing, but Warren felt their curiosity, their tentative fear. Was he a narc? He saw that in their eyes. In his mind he could have come across as a narc just to freak them out. But he wanted to get stoned and check out the chicks. And make a point.



He went through the "interview" before he sat down with them. He affected a strong mountain accent, dropping all his g’s at the end of words, speaking very slowly, lazily, squinting as he toked, grinning as he looked at the guys, saving an open-mouth smile for the ladies - the hint of a wink in his eyes.



They were refugees from the rock concert festival circuit. And Stew laid it out for Warren …



We just partied last night at this hu-uuuge concert out near Portland in the woods. We saw Country Sam and the Hoots and Rawbone Dinah and her new group. A helluva show, man! Rockin'! They jammed all night long. You should have been there, man! It was a trip!



It was far out! another said, in an almost contradictory, yet sympathetically enthusiastic tone, and he accepted a joint from Warren, who accepted a pipe from a chick wearing faded jeans and a vest and a headband.



That right? Warren asked, grinning.



Yeah, Stew went on. Some old timer there told us about this Bare Ass Beach place and we had to check it out. Too bad it's too cold to get nude, man.



Finally, after the pipe had gone around three or four times, Warren felt mellow. No one was going to challenge him.



Well, he grinned looking around the circle at each of them. He drawled his words out real slowly.



Welcome here to Bare Ass Beach. You all are right welcome to hang out here and have a good time and all. There’s been parties here before believe it or not. I’ve had a few good times down here myself.



He winked at Stew. Some of the guys snickered, needing to be seen as knowing.



Just between you and me, though, - no big deal, you see? - I’d keep it down at night if I was you. There are people living up and down the River here. Quiet people. Most of 'em got guns if you follow me. Pretineer all of 'em are serious hunters if you get my drift. (Warren mentally winced at "pretineer." Old Man Leggit or Bardell would say that. So he stole it from them for the occasion.)



He look-squinted at the woman’s breasts who’d handed him the toke earlier, shrugged, and he looked over at Stew and took a pull off the pipe as he froze his eyes on him.



I’d pay extra careful mind about the cabin up in there – yonder.



And he pointed up at his house. You could barely see the roof for all the trees, but there were no other houses up there. He kept grinning but there was no mirth in his grin.



I’d stay clear away from that place if I was you. Cause that fucker up there is crazy! And he’ll shoot your ass if he sees or smells you!



Warren clicked the roof of his mouth with the flat of his tongue, jerked his head up in the direction of his house, and winked at Stew. He handed the pipe to the chick, got up, cinched up his pants, saluted the group with his index finger, and said,



So long, folks. Thanks a lot for the smoke. ‘Member what I said now, and he tilted his head quickly up in the direction of his cabin, winked one more time, turned around and headed out.



He walked away the opposite direction he came in and nodded his head to the drums setting the time-beat for the River's roaring riff.