Sunday, September 2, 2018

Meditation Rock (and Roll), Summer 1969

Prince Kamawannanacka Rock


[Our story thus far, or as far as anyone can see: Six of the Fish Hawk Country drop outs accepted Mel's invitation to convene on Prince Kamawannanacka Rock in the middle of the Fish Hawk River for group meditation. It was Garson's idea. He was hoping the "girls" (sorry, this was the 60s) would take off their clothes while meditating in the sun. Garson wasn't much into meditation. Eventually, succumbing to the subtle poetic powers of the Fish Hawk River, our drop outs removed their clothes, to wit (and by witness), …]


Was it the sun's bright stillness that calmed our dropouts so?
Was it the languid in and out and in and out of breathing?
Were they Garson's playful suggestions heeding?
Was it the River-inspired Rock's desire to go
back before the Big Flood's violent flow
to a time when gentle areas were white on white
(or, more akin to his and her's-story, black on black)
and nudity was right both day and night
Was it the spaciousness surrounding their internal atoms
that motivated them to be like Eve and Adam
?

And so it was that our dropped out outlings
shed their garments and to the air them did fling
In solemn quietude not a word was said
It was all beyond mind and out of head.


The breeze was too soft to feel like a breeze. It was air hoping to breeze. It graced Mel's skin with a hint of air, like the air soft on your skin when a dog next to you wags his tail.

After many moments of thinking thoughts and letting them go with the out breath, letting them go to wherever thoughts go - Mel, eyes shut, imagined them floating, somersault-tumbling into the spaced blackness, he began to see the large purple dot of a glob pulsating in time to his heart beat. It rolled into his interior vision from right to left expanding, contracting, slowly morphing purple to blue to white to purple again.

Vato had laughed when Mel told him about his purple glob that appeared when he entered deep meditation. [Editor's Notary: Hi, I'm the Editor's Notary, noting that "Vato" is Mel's long-distance guru who transmits daily mantras telepathically and transpersonally to Mel from 2,000 miles away in Central Tejas. When it comes to meditation, Vato doesn't fool around.]

Oh! Your third eye is playing games with you! (Vato exclaimed, grinning broadly - this conversation having occurred when Mel lived with Vato for a spell during the previous summer.)  Don't pay it any attention. Don't let it take you from your breath. Don't let it mess with the practice of letting go your thoughts. That's your real job. Your purple light show is just your ego seeking entertainment.

But Mel gave the purple some credit. He couldn't make it appear. It happened when it wanted to. He had no control over it. It shaped and unshaped itself at its own will. And it vanished when he withdrew his attention, like if he opened his eyes or let himself think of Big Back Mary.

So he relaxed and let it come and do its thing. But after many moments, as so often happens, cohabitating with the purple didn't cut it. It wasn't his thing, as Symcopatin' Snaz would say. [Editor's Notary here again. Sorry to keep busting up the flow of the narrative, but you might want to know that Symcopatin' Snaz is Mel's altered ego, a would-be comic character who lives in Mel's mind. ... Now, back to our story!]

So he opened his eyes and of course, after a few breaths, upon closing them again, the purple was gone, replaced by blackness or a representation of the predominate light color in the outer world.

So now … breathing in … holding the breath for a moment … breathing out …

On his out-breath, his breath fully expelled, he was in a space where he neither breathed in or out. In that space before the next in-breath, that soft safe empty space …

Although the purple had disappeared, he sensed something different this time with its vanishing.

He didn't know why. Was it the atmospherics shifting ever so slightly in the late summer air, sensing the coming infusion of the fall? Did the Great Mathematician accidentally erase a digit on the celestial chalkboard causing a temporary imbalance in the eternal equation? Did the light above the River drift to a different prism where the "normal" rays of sun and water reflection changed?

Whatever the glitch in the cosmos (if it was indeed a "glitch"), Mel saw it as he opened his eyes. And he saw it in the soft space between in and out breath. Thinking about it later, he was glad he hadn't blinked or breathed and thereby lost sight of it or missed it altogether.

It was like a purple vapor shadow. As it drifted closer, it looked like a misty strip of film, so feather-fragile that he marveled at its innate strength to lift from the River's surface and float casually but irrevocably toward them.

Mel squinted and almost lost sight of it in the sunlight. It seemed amused at his concern about that. It floated and curved, as though it were smiling at him. It was about a foot long, a few inches wide. Onion skin paper thin. And purple.

It brushed Sheila's forehead and lightly touched her nipples. It buckled, humped slightly, and flickered against Sally's cheek. Gradually one by one, methodically but playfully, it touched the skin of each of the dropouts - all with their eyes shut, save Mel (and he saved it all with interest).

When it got to Mel, it hovered in front of his opened eyes. It curled knowingly at either end. He breathed in. The River shimmered through the translucent layer of the purple film. Through it Mel saw the colors of the forest across the River and up on the hills. Greens, yellows, blues - they sparkled more vividly than ever.

Breathing out, Mel watched as the strip of vapor glided off, away.

Again, Mel was in the soft space between breaths. His mind was truly empty of all thoughts. His ego was asleep. He saw the River through the purple ribbon.

The ribbon slid toward the River and back again to circle once more before it let the current's air take it downstream. And so it vanished.

Sheila opened her eyes and they glistened with tears. Sally breathed a deep sigh and broadened her smile, choosing to remain shut-eyed. A sweet peace adorned her face.

Harris looked at Sheila with wonder. He had never before seen such beauty.

Garson, grinning broadly, sat crossed-legged, face turned sunward, his arms raised,  palms open.

Big Back Mary stared at Mel.

Gawd, what he'd be like in the sack! she thought.

Vick grinned broadly at the sight of everyone's nakedness. He alone had words:

This was the way it was meant to be, he said softly like he had just enough breath for those words and no more.

Garson sensed a realization, as if from an calm inner voice that was not his. A voice  not familiar to any thought pattern, but a calm, matter of fact voice. A voice that had him sense that the Fish Hawk had protected him that night* and that whoever had blabbed to the cops had done him a great favor. He would never have realized how protected he was had they not flapped their jaws. He could not know how long he would have this realization, but he was glad he had in that moment.

Mel, experiencing serenity outside and beyond any form or structure, treated himself to a deep cleansing breath. He looked up across to the River, felt the power of its rushing waters - impermanence in motion. But the memory of the purple ribbon lingered, it's elegant silence touching the moments beyond thought.



A rare glimpse of the Fish Hawk River flowing between Prince Kamawannanacka Rock (left) and its ancient consort, Princess Kalaililikikana Rock. 



* This refers to a scene in the first chapter when Garson is hauling contraband up the mountain at night in his '56 Chevy pick up when he sees and hears that the cops are tailing him. Rounding the first turn of a sharp switchback in the road, he tosses the "goods" into the River and turning into the top of the switchback discovers the cops have vanished. For the rest of that chapter and throughout the the Fish Hawk Saga he wonders 1) who tipped the cops off to the fact he was had "the goods" and 2) how was it that they vanished so mysteriously?!  ... More will be revealed, Dear Reader.



Wednesday, January 31, 2018

A Walk in the Woods

Click the graphic to hear Charlie Musslewhite blowin', "Chicago Sunset."


[Back story: Warren is going to the Car Grave Yard deep in the woods in Fish Hawk country. With the help of some friends he is going to push his old broken down 55 Chevy Nomad Wagon, purple with yellow doors, down to the Fish Hawk River and ride on its roof to old Omer Anderson's to offer it up as parts for services already rendered.

Upon leaving his house, Warren discovered a strange yellow capsule with gray-green flecks in it on the table. He figured his girl friend Sally left it there the night before. On his way out the door he swallows the capsule, which contains dried ginkgin powder, a powerful substance once revered by the ancient Osqua Indians who inhabited Fish Hawk country long before the whites muscled their way into those mountain woods. … We return to our story in progress as Warren heads to the Car Grave Yard … ]


If you didn't know this steep stretch of road, you might slide right by the Car Grave Yard. But Warren knew to dig his work boot heels into the forest dirt and catch the almost hidden path to his right. A long narrow darkened path cut ahead of him through the timber.

The darkness threw back a sound. Some kind of weird woods music. A high pitched sad twang with the reverberation of a Jews harp, but higher pitched. It came at him as if out of a tunnel.

He saw creamy orange tubes gently zig-zagging at him! Some were open-mouthed, some pinched and puckered. They swerved in curvy patterns and undulated, arching and weaving back and forth, moving with the rhythm of the music.

MaChigghhh-AWWW-WAWH-RAWWWH.

Some tubes shot forward and stopped a beat as if they forgot something and they eased back from where they came (reversing the same up-down, sideways movements), only to sashay forward again, but this time slower in a confident syncopated vamp. Some curled around one another, twisting and turning, vibrating with an edgy nasal tone.

Naw-awwh! Brrr-hmmm-brummmp! Aw! Naw-naw-naw-heee-bump!

They aimed right at Warren's face! And the sound from out of the woods reverberated through the twisty tubes. Half-suppressed squeak, half-whiney rasp.

MaChigghhh-AWWW-WAWH-RAWWWH. Chigghhh-AWWW- WAWH -RAWWWH! RAWWWH-NAWWWH! RAWWWH-NAWWWH! RAWWWH-NAWWWH! WAH-WAH!

They were up in front of his eyes now! A line of them weaving and bobbing! Warren saw gray green specks inside the tubes, darting and hitting the sides and bouncing off, knocking into each other and shooting in another direction. What chaos within the seducing rhythm of the gyrating cylinders!

He stopped. He blinked and the tubes that were up against his eyes, almost touching his lashes but not quite, vanished. But more in line sauntered forward. 

The sound was coming from Harris’ blues harp. He was blowing and sucking in on two reeds at once, causing a hoarse wheezing sound. The pitch rose and fell, the stops creating a railroad beat.

Warren was fixated on the gray green specks bombarding each other inside the tubes. They played havoc games within the "take-it-easy" drifting tubes.

Mmmm-hip-hip-hip! Mmmm-brrrr!

He swatted at the tubes. That cleared way for him, but more were coming! The sound wasn't quitting. He batted them with his palms! And the sound cylinders quivered and kept coming!

He fisted them as he shadow-danced into the Grave Yard.

Warren saw Harris first, or more accurately he saw the music from Harris' harmonica. A cluster of those cartoon tubes huddled around Harris' head, circling his shoulders. They swarmed up into the trees.

Harris blew his harp! He was getting whiny elongated notes to push those tubes out and up!

When he saw Warren, he stopped blowing and sang out:

Every morning
N
Every night

Warren jumped at Harris, leaping and knocking down a bunch of orange tubes as he flew in the air, simultaneously throwing out  his own lyrics -

         I tell myself
         Ya gotta do right

Ha-ha! Harris! Warren cried out. You harp-blowing fool!

His eyes followed the trace of orange cylinders floating up into the cool tree air.  They fell on Mel sitting crossed-legged on top of an ancient pick up.

Waddaya doing up there, Buddha-boy?!

Good morning, Warren, Mel said softly.

Mel - his straight long brown hair around his shoulders, sitting on top of the rusted roof of the pickup, the rust circling out from the center of the roof in various colors of brown and black - Mel took in the scape of the Car Grave Yard.

It was a darkened tree-crowded clearing just off the Old Logging Road. Hemlock and Douglas Fir squeezed out the sky. Sword ferns, three leaf clover, and huckleberry bushes crowded the ground.

The cars and trucks had come to rest in peace in this place - in peace or in pieces. They were slowly decomposing in the dampness and from winter freezes. They were a mangled mix of long-forgotten "vehiculers," as Warren called them - cracked and crashed and crumbled, in various stages of rot.

The Car Grave Yard was a mess of massive clutter. Your eye did not want to distinguish the shapes and the parts at first. There was too much jungle-jumble to inventory. But Mel's awareness as the result of long periods of sitting meditation and openness to the transpersonal had heightened his perception.

He saw each rusted out smashed-in chassis, the dry crusted moss covered radiators, dusty worn tires, hunks of motors, bent torn-up grills and bumpers, mufflers and exhaust pipes protruding out at all angles and stages of rust looking like an abstract painting drawn by someone with a muscle disorder. And hubcaps! Hubcaps strewn everywhere. Forgotten metal Frisbees piled up and tilted in disarray, thrown there by some unseen vagabond who had disappeared long ago into time's cloudy prism.

Most of the vehiculars gawked with dark gaping holes where windshields and windows had once protected them from the outside. The windows had long ago shattered, their pieces swallowed by the forest floor. The insides, seats and floors, were coated with tiny glass shards mixed with pine needles.

Mel sat cross-legged on the roof of the pickup, smiling benignly. His hair was shiny and long.  He was bare-chested, and like the strands of chin hair that pretended to be a goatee and his wispy mustache, the hair on his chest was dark and sparse. He felt the cool damp air against his skin.

Warren watched the last of the gyrating tubes vanish in the air above Harris' head. Gone in the silence when he quit playing his harmonica.

The morning sun light forced an intrusion on the clearing, streaking light through the trees. The light fell on Mel's shoulders. But Warren did not see it. He was thinking about Sally.


[Watch for future installments of Warren and the Nomad's adventures on the Fish Hawk River!]